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Traditional Oil Painting: Advanced Techniques and Concepts from the Renaissance to the Present, by Virgil Elliott
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The only book that lets artists explore the highest levels of realistic oil painting.As more and more artists today look to the past, there has been a tremendous resurgence of interest in painting realistically—in creating convincing illusions of three-dimensional depth on two dimensional surfaces. How did the Old Masters create their masterpieces? What kind of education allowed these great artists to create such beautiful work, and how can an artist learn these lessons today? Traditional Oil Painting answers those questions and many more. This comprehensive sourcebook explores the most advanced levels of oil painting, with full information on the latest scientific discoveries. Author and distinguished artist Virgil Elliott examines the many elements that let artists take the next step in their work: mental attitude, aesthetic considerations, the importance of drawing, principles of visual reality, materials, techniques, portraiture, photographic images versus visual reality, and color. Traditional Oil Painting helps artists master the secrets of realistic painting to create work that will rival that of the masters.
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Product details
Hardcover: 224 pages
Publisher: Watson-Guptill; 1st edition (August 7, 2007)
Language: English
ISBN-10: 0823030660
ISBN-13: 978-0823030668
Product Dimensions:
9.2 x 0.8 x 11.3 inches
Shipping Weight: 2.8 pounds
Average Customer Review:
4.4 out of 5 stars
77 customer reviews
Amazon Best Sellers Rank:
#409,495 in Books (See Top 100 in Books)
This is a great reference for the serious oil painter. I would say it's a college level textbook (justifying the high price) but I don't recall my college course ever covering materials and technique in this depth. There are older books with the same dedication to matters of craft, but this book covers the recent state of the art with regards to mediums, varnishes, archival supports, etc.Elliot's attitude is a little curmudgeonly, but this doesn't detract from the quality of the information presented. There are a million places to learn how to take shortcuts and blow up photos--but there are very few contemporary sources that demonstrate how important it is to learn to use your eyes before using a camera.Some reviewers complained that the sample works are not masterpieces--they're not, but this doesn't detract from their usefulness as demonstrations. Elliot's work is pretty straightforward stuff, yes, but as demonstrations of the workflow, his examples are extremely useful. Perhaps all the moreso because they are simple, workmanlike compositions with one or two figures, so you can see the process clearly! The old masters did not leave us full color photos of their work in progress, so this will have to do.Finally-the color prints in the hardcover edition are excellent quality, like a nice coffee table book.
Mr. Elliott is an expert in materials quality, obsessed even in producing the most archival work, but his painting demos and description of the techniques of the Old Masters leave much to be desired. His paintings compared to those of the Old Masters found in the book show his lack of understanding and/or skill in painting like the Old Masters.
I wish I had had access to this book 20 years ago. I have been painting for over 40 years but I have only ever been exposed to hobby classes and art groups, which are all very well and good for the beginner, but in my experience don't instruct those who aspire to get really serious and want to challenge themselves in their pursuit of creating art, rather than just do middle of the road paintings.Mr Elliott takes the reader on a journey through all the materials and classic techniques of how the masters of old Europe went about their work and explains how, with commitment and care, a serious student of the craft of painting in oils can become the artist that a serious painter aspires to be. Buy be prepared to read because while there is plenty of pictures to illustrate the writer's instruction, it is in the writing that there are gems to be found in the instruction and tips to be learned here.But also true is that this book will give the sign posts to making great art but it will be the individual painter's drive that achieves that art.
Not only is this book great at covering painting methods and techniques; it is very informative about materials and how they should be properly utilized in a painting and at what stages. I learned a great deal reading this. It is a terrific addition to anyones how-to collection of painting books. True that some painting instructional books are less than stellar in terms of information and clarity, but not this book!! Well worth the money!!
Virgil Elliott has created yet another masterpiece. His detailed explanations, of the questions no one seems to know the answers to, makes it clear he is an absolute expert on the matter of painting. 'Traditional Oil Painting', has become my bible, and has helped me more than any other book I have read on the matter. Thank you, Mr. Elliott, for sharing your thoughts with the rest of the world. You are truly an amazing writer and artist.Edit: I've bought this book twice, because I lost it in the last move, and it is a book I refuse to do without.
I found this book to be extremely informative and well-written. Not only covering medium "nuts and bolts" (valuable information such as rating paints from fat to lean, drying rates and transparency ratings - all subjects barely touched upon in any other art training I have received), but also the foundations of art mastery; drawing skills, perspective and color theory.He covers the evolution of traditional oil painting methodologies - from Flemish to Venetian to French Acedemic; Masters who used hybrids of these methods to suit their subject matter (e.g. Rembrandt), and even a nod to Bouguereau, whose rendering of human skin is par none.In all, I'm extremely pleased with this book - it has many highlight-worthy sections and lists worth copying and keeping near the easel.I give it 4 stars for two reasons - I would have liked to see some more visuals, including some modern Masters from the resurgence of classical realism (it's nice to have modern-day inspiration) and I would have likes some commentary from him on the newer supports, such as panels from Ampersand. I believe this book is still in its first edition from 2007, so perhaps a later printing will include these.Once upon a time, I attended one of the top-rated public art schools in the country - and left that program because of their focus on expression over mastery. This book has given me some of the knowledge I really hungered for.
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